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San Lorenzo is a suburb of Rome, historically populated by a culturally diverse working class – a melting pot of voices and stories.
At the beginning of the 1980s, a group of artists, nearly all students of Toti Scialoja, spontaneously gathered in the former Pastificio Cerere, a pasta factory abandoned in the second world war which, in the 1970s, was reborn as a home to artist studios.
As well as space, the artists here shared ideals, impressions and goals; they were united by a deep rejection of the consolidated commodification of art.
Bruno Ceccobelli, Gianni Dessì, Giuseppe Gallo, Nunzio, Pizzi Cannella and Marco Tirelli made up the Scuola di San Lorenzo (San Lorenzo School) or Nuova Scuola Romana (New Roman School) which also included Domenico Bianchi in several projects.
They did not form a movement or subscribe to a manifesto. Instead, they created a human and professional partnership which gravitated around specific ideas: painting and sculpture as the preferred universal language to express a spiritual dimension, the rejection of directives, the possibility that art has an impact on the real world. The importance of making art translates into a natural experimentation with new techniques.