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San Lorenzo School

San Lorenzo School

Open a larger version of the following image in a popup: Abstract painting with black lines on a cream surface - Piero Pizzi Cannella Ferro battuto, 1989.
  • San Lorenzo is a suburb of Rome, historically populated by a culturally diverse working class – a melting pot of voices and stories.

    At the beginning of the 1980s, a group of artists, nearly all students of Toti Scialoja, spontaneously gathered in the former Pastificio Cerere, a pasta factory abandoned in the second world war which, in the 1970s, was reborn as a home to artist studios.

    As well as space, the artists here shared ideals, impressions and goals; they were united by a deep rejection of the consolidated commodification of art.

    Bruno Ceccobelli, Gianni Dessì, Giuseppe Gallo, Nunzio, Pizzi Cannella and Marco Tirelli made up the Scuola di San Lorenzo (San Lorenzo School) or Nuova Scuola Romana (New Roman School) which also included Domenico Bianchi in several projects.

    They did not form a movement or subscribe to a manifesto. Instead, they created a human and professional partnership which gravitated around specific ideas: painting and sculpture as the preferred universal language to express a spiritual dimension, the rejection of directives, the possibility that art has an impact on the real world. The importance of making art translates into a natural experimentation with new techniques.

    Painting and sculpture existed as a universal language with a spiritual dimension, the rejection of directives, the possibility that art has an impact on the real world and the importance of making and experimenting.
  • The artists initially gathered around the La Stanza experience, an artist-run exhibition space active in Rome from 1976 to 1978....
    Giuseppe Gallo
    Merletto veneziano, 2004
    Oil, mixed media and encaustic on board / Olio, tecnica mista ed encausto su tavola / Öl, Mischtechnik und Enkaustik auf Karton
    73 3/8 x 99 1/4 in
    186.5 x 252 cm

    The artists initially gathered around the La Stanza experience, an artist-run exhibition space active in Rome from 1976 to 1978. It was literally a single room inside a courtyard in Via Cavour 295. Giuseppe Gallo and Bruno Ceccobelli exhibited there in 1977, in 1978 also with Pizzi Cannella.

    In 1984, through the Ateliers exhibition curated by Achille Bonito Oliva, the Pastificio opened the artist ateliers to the public for the first time; this action was revolutionary because it was not the art that travelled to the public but the individual who entered the atelier, a place of ultimate artistic creation.

    Gallery owners took an interest in them: first Fabio Sargentini, and then Gian Enzo Sperone, pushed the group beyond national borders, with the constant support of Achille Bonito Oliva himself.

    Although these artists chose discreet careers focused on the essentiality of artistic discourse, they generated significant interest, also at an international level.

    Their experience, now historical, was the subject of a major exhibition presented in 2009 at the MART, Museum of Contemporary Art of Trento and Rovereto entitled Italia Contemporanea Officina San Lorenzo.

    In 2004, the Fondazione Pastificio Cerere was established in the same former pasta factory, to continue to promote and disseminate contemporary art, perpetuating the mission of the original Scuola di San Lorenzo.

    • Abstract painted wall sculpture made from oil on board.
      Piero Pizzi Cannella, Ferro Battuto, 1991
    • An abstract oil painting with black lines on a cream surface.
      Piero Pizzi Cannella, Ferro Battuto, 1989
    • An oil painting with a pair of eyes protruding through the cream paint.
      Piero Pizzi Cannella, Pulcinelle (Bella Coppia. Pulcinelle), 2003
    • A mixed media artwork made up of red, green and yellow on a beige background.
      Giuseppe Gallo, Merletto veneziano, 2004
    • Abstract mixed media painting with vase shape in black and white.
      Piero Pizzi Cannella, Senza Titolo, 1987
    • Abstract oil painting in brown, cream and black.
      Piero Pizzi Cannella, Senza Titolo, 1989-90
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