Artworks

  • An abstract painting in black, grey, brown, green and blue.
    Gino Severini, Natura morta astratta con pera, 1949-50
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  • An oil painting of abstract flowers in red, pink and yellow against a green and brown background.
    Felice Casorati, Fiori, 1948
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  • An oil painting of a wood stove. Artwork details: Artist: Renato Guttuso. Artwork title: Stufa a legna. Artwork year: 1948. Artwork medium: Oil on canvas. Artwork dimensions: 70 x 60 cm.
    Renato Guttuso, Stufa a legna, 1948
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  • An oil painting of a Villa outside the city, surrounded by green leafy trees and a brick wall.
    Antonio Donghi, Villa fuori le mura, 1947
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  • An oil painting of Castello Massimo in Arsoli.
    Antonio Donghi, Castello (Arsoli), 1946
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  • An oil painting of a dog trainer in a purple dress and two dogs. Surrounded by a circus-like scene with green curtains, ladder, hoop, ball and red platform with gold tassels.
    Antonio Donghi, L'ammaestratrice di cani, 1946
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  • An oil painting of Città di Castello.
    Antonio Donghi, Paesaggio (Veduta di Città di Castello), 1946
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  • An oil painting of the Villa Medici in a Roman landscape.
    Renato Guttuso, Paesaggio romano (Villa Medici), 1946
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  • An oil painting of a portrait of a woman sitting on a wooden chair and wearing a green top and black hat. Alongside her is a table covered with a red cloth and a purple flower.
    Antonio Donghi, Ritratto di donna, 1944
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  • An oil painting of an older and young man, Lark hunting. In a hyper-realistic style, the man is dressed in a brown hat, jacket and boots, armed with a shotgun. The boy has a green blazer and cream trousers, holding a large stick with a bird on top. The landscape behind them is an expansive view of nature with mountains in the distance. Artwork details: Artist: Antonio Donghi. Artwork title: Caccia alle allodole. Artwork date: 1942. Artwork medium: Oil on canvas. Artwork dimensions: 107.5 x 79.5 cm.
    Antonio Donghi, Caccia Alle Allodole, 1942
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  • A pencil drawing on paper of a young man pulling rope.
    Antonio Donghi, Ragazzo, 1942
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  • An oil painting of a portrait of a mother and daughter. In a hyper-realistic style, a mother dressed in light blue sits on a green cushioned stool alongside their daughter in pink against a beige background and green floral carpet.
    Antonio Donghi, Ritratto di Madre e Figlia (Lucia Praz), 1942
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  • An oil painting of Valle violata, littered with green leafy trees and a pale blue sky.
    Antonio Donghi, Valle violata, 1942
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  • An oil painting of an Italian landscape.
    Antonio Donghi, Paesaggio, 1940
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  • An oil painting of the Pontorno sisters. In a relaxed domestic environment, one is breastfeeding a child while another sits in the nude.
    Felice Casorati, Le sorelle Pontorno, 1937
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  • An oil painting of a Juggler balancing his hat. The figure stands in a blue room alongside a table and a vase of flowers.
    Antonio Donghi, Il Giocoliere, 1936
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  • Painting representing an artist's studio
    Filippo De Pisis, L'atelier dell'artista, 1936
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  • An oil painting of a woman sat in a chair wrapped in a green blanket.
    Felice Casorati, Donna con manto o Ragazza seduta con coperta, 1935
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  • An oil painting of bright pink and orange flowers in a blue vase sat on a blue table with a pink background.
    Antonio Donghi, Fiori, 1935
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  • An oil painting still life of a fruit bowl on a table.
    Antonio Donghi, Fruttiera su un tavolo, 1935
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  • An oil painting of a rural scene. Artwork details: Artist: Carlo Carrà. Artwork title: L'Aia. Artwork date: 1928. Artwork medium: Oil on canvas. Artwork dimensions: 70 x 90 cm.
    Carlo Carrà, L'Aia, 1928
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  • Abstract painting
    Jean Fautrier, Le vallon , 1928
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  • Giuseppe Graziosi, Piacenza medievale, 1927 circa
    Giuseppe Graziosi, Piacenza medievale, 1927 circa
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  • Giuseppe Graziosi, Piacenza moderna, 1927 circa
    Giuseppe Graziosi, Piacenza moderna, 1927 circa
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  • An oil painting of a still forest in greens, yellows and browns. Artwork details: Artist: Giorgio De Chirico. Artwork title: Bosco silente. Artwork date: 1925. Artwork medium: Oil on canvas. Artwork dimensions: 51 x 60.5 cm.
    Giorgio de Chirico, Bosco silente, 1927
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  • Painting depicting a field of flowers with cows
    Beppe Ciardi, La pace sull'altipiano, 1927
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  • Painting representing various figures in front of a well in the indigenous village of Amornin.
    Lidio Ajmone, Pozzo al villaggio indigeno Amornin - Mogadiscio, 1926
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  • An oil on canvas painting of a landscape featuring a house in a field.
    Giorgio Morandi, Paesaggio, 1925
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  • An oil painting of a view of Rome (Church of S. Anastasia al Palatino).
    Antonio Donghi, Veduta di Roma, Chiesa di S. Anastasia al Palatino, 1925
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  • An oil painting of a landscape with watermelons and shells.
    Giorgio de Chirico, Corazze e cocomeri, 1924
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  • An oil painting of the fountain, La Fontana dei Cavalli marini, at the Villa Borghese in Rome. The fountain is made up of horses protruding from the water.
    Antonio Donghi, La Fontana dei Cavalli Marini, 1923
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  • An oil painting of two women harvesting corn. On the right, one woman delivers corn husks; on the left, the woman with elaborate earrings sieves the corn.
    Amedeo Bocchi, Il Granturco, 1922
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  • An oil painting portrait of a Miner. The Miner stands topless with arms folded against a dark background.
    Antonio Donghi, Il Minatore, 1922
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  • An oil painting of a house with a French flag and walkers in blues and greens.
    Maurice Utrillo, Casa con bandiera (houilles -seime et oise- les balles vues), 1920
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  • a painting painting depicting four figures
    Ottorino Davoli, Il frutto della terra, 1920
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  • painting depicting three figures tired from work
    Ottorino Davoli, Il lavoro della terra, 1920
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  • An oil painting of a white house with a red roof set in a tree-lined landscape.
    Felice Casorati, Paesaggio La Casa, 1920
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  • An oil painting of the restaurant 'A mon idee'. Artwork details: Artist: Maurice Utrillo. Artwork title: Le restaurant 'A mon idee'.
    Maurice Utrillo, Le restaurant 'A mon idee', 1917
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  • An oil on canvas painting of a wooded area.
    Angelo Morbelli, Raggi di sole, 1917
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  • Brightly coloured oil paint and collaged abstract painting of a spiral and interlocking patterns in black, yellow, orange, blue and red.
    Giacomo Balla, La Guerra, 1916
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  • Lionello Balestrieri, Donna che suona il violoncello e tre fanciulle in ascolto, o Concerto in famiglia, 1914 - 1920 circa
    Lionello Balestrieri, Donna che suona il violoncello e tre fanciulle in ascolto, o Concerto in famiglia, 1914 - 1920 circa
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  • A landscape oil painting of a day at noon in May around Ivrea, Italy, showing a mountain, village and figure in the field.
    Enrico Reycend, Meriggio di maggio nei Dintorni di Ivrea, 1912
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  • Oil painting of yellow and orange chrysanthemums with green leaves against a beige background in a green and yellow decorative vase positioned on a wooden surface.
    Giorgio de Chirico, Vaso di crisantemi, 1912
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  • Gaetano Previati, L'Assunzione, 1901 circa
    Gaetano Previati, L'Assunzione, 1901 circa
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  • Painting of Villa Borghese in Rome
    Onorato Carlandi, Villa Borghese, 1886
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  • Francesco Paolo Michetti, Zia Luisa, 1881-1883 circa
    Francesco Paolo Michetti, Zia Luisa, 1881-1883 circa
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  • Silvio Allason, I primi raggi sul Monte Bianco, 1881
    Silvio Allason, I primi raggi sul Monte Bianco, 1881
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  • Painting depicting a mountain landscape.
    Giuseppe Camino (attribuito a), Paesaggio di Montagna, 1859
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  • An oil painting of refugees from a burned village.
    Domenico Induno, I Profughi del Villaggio Incendiato, 1854?
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  • A marble sculpture depicting a scene from the Iliad, a major ancient Greek epic poem attributed to Homer, where the character Hector is saying farewell to his wife Andromache and son Astynax so that he could fight in the Trojan War.
    Giuseppe De Fabris, Addio di Ettore ad Andromaca, 1817
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  • Painting depicting Scipio leaving for exile
    Pietro Antonio Novelli, Scipione parte per l’esilio, 1777
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  • An oil painting of a busy market square in Palermo, Sicily, filled with sculptures, people and horse-drawn carriages, overlooked by a cathedral.
    Pietro Fabris, Veduta di Palermo (cattedrale), 1770
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  • An oil painting of a busy Piazza, filled with people and horse-drawn carriages.
    Pietro Fabris, Veduta di Palermo (Piazza Vigliena), 1770
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  • Painting depicting the vision of St. Camillus de Lellis
    Ubaldo Gandolfi, La visione di san Camillo de Lellis, 1765-1768
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  • Detail of painting representing the gospel passage in which Christ heals the daughter of the Canaanite womanDetail of painting representing the gospel passage in which Christ heals the daughter of the Canaanite woman
    Ubaldo Gandolfi, Cristo e la Cananea, 1760-1765 circa
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  • Painting of Cardinal Pompeo Aldrovan.
    Damien Carpentiers, Ritratto del Cardinale Pompeo Aldrovandi, 1736
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  • Painting depicting St. John the Baptist baptizing the crowd
    Giuseppe Maria Crespi, known as lo Spagnuolo, and Bottega, San Giovanni Battista battezza le folle, 1730 circa
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  • Giuseppe Maria Crespi, known as lo Spagnuolo, and Bottega, Strage degli innocenti, 1730 circa
    Giuseppe Maria Crespi, known as lo Spagnuolo, and Bottega, Strage degli innocenti, 1730 circa
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  • Painting depicting a bucolic landscape and several figures conversing.
    Gaetano Cittadini, Paesaggio con Erminia tra i pastori, 1729
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  • Ceiling painting representing Biblical Allegory
    Sebastiano Conca, Allegoria, 1726 circa
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  • Domenico Maria Muratori (Attribuito a), Allegoria, 1725 circa
    Domenico Maria Muratori (Attribuito a), Allegoria, 1725 circa
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  • An oil painting of putti, the winged infants who either play the role of angelic spirits in religious artworks or act as instruments of profane love. They are often shown as associates of Cupid. They originated in Greek and Roman antiquity (the Latin word putus means little man). The putti seen here are playing with a dog.
    Jacopo Amigoni, Putti che giocano con cane, 1725
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  • An oil painting of putti, the winged infants who either play the role of angelic spirits in religious artworks or act as instruments of profane love. They are often shown as associates of Cupid. They originated in Greek and Roman antiquity (the Latin word putus means little man). The putti seen here are playing with a rabbit.
    Jacopo Amigoni, Putti che giocano con coniglio, 1725
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  • Ludovico Mazzanti, Gli Zefiri scacciano l'inverno, 1720-1722 circa
    Ludovico Mazzanti, Gli Zefiri scacciano l'inverno, 1720-1722 circa
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  • Ludovico Mazzanti, La Primavera o Flora e Zefiro, 1720-1722 circa
    Ludovico Mazzanti, La Primavera o Flora e Zefiro, 1720-1722 circa
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  • Luigi Garzi, Apollo guida il carro del Sole , 1720 circa
    Luigi Garzi, Apollo guida il carro del Sole , 1720 circa
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  • Painting depicting three female figures surrounded by angels in the sky.
    Giuseppe Bartolomeo Chiari, Bacco, Venere e Cerere, 1720 circa
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  • Benedetto Luti, Diana come personificazione della Luna o Allegoria con Diana, le Ninfe, gli Zefiri ed Eroti (La Notte), 1720 circa
    Benedetto Luti, Diana come personificazione della Luna o Allegoria con Diana, le Ninfe, gli Zefiri ed Eroti (La Notte), 1720 circa
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  • Painting depicting the adoration of the Magi
    Giuseppe Maria Crespi, known as lo Spagnuolo, and Bottega, Adorazione dei Magi, 1690
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  • Green and gold tapestry depicting a forest with birds.
    Brussels Manufacturing, Paesaggio fantastico, 1675
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  • Painting depicting part of Roman history in which Volumnia and her sons stand in front of Coriolanus
    Domenico Maria Canuti, Volumnia ed i figli davanti a Coriolano, 1672-1673 circa
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  • An oil painting of the rich man and Lazarus parable found in the gospel of Luke 16: 19–31. The painting depicts a rich man with empty plates, surrounded by servants after finishing his meal, while in the foreground is the beggar Lazarus.
    Luca Giordano, La cena del ricco Epulone, 1663
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  • An oil painting of the Greek mythology story of Arachne. A group of women gather around Arachne, who is in the centre of the painting, weaving a tapestry. All figures are facing right while an older female with a cane faces against them.
    Antonio Carneo, Aracne tesse la tela (o l’Indovina), 1660
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  • An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting.
    Antonio Carneo, La buona ventura (La seduzione), 1660
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  • Antonio Carneo, Vecchia con conocchia e giovane con spighe, 1660
    Antonio Carneo, Vecchia con conocchia e giovane con spighe, 1660
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  • Maria Gonzaga portrait
    Mantuan painter, Ritratto di Maria Gonzaga, 1650 ca
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  • Painting representing the figure of Diana, Atalanta, two cherubs and the head of a boar.
    Giulio Carpioni, Diana e Atalanta con la testa del cinghiale calidonio, 1640 - 1678 circa
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  • Frans Pourbus the younger (seguace di), Ritratto di Eleonora Gonzaga, 1637 - 1638
    Frans Pourbus the younger (seguace di), Ritratto di Eleonora Gonzaga, 1637 - 1638
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  • painting depicting a port with figures
    Viviano Codazzi (Attribuito a), Porto con figure, 1630
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  • Jean Le Clerc, Concerto notturno o La dissipazione del Figliol Prodigo, 1620-21
    Jean Le Clerc, Concerto notturno o La dissipazione del Figliol Prodigo, 1620-21
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