• Biography

    Antonio Donghi (Rome, Italy 1897 - Rome, Italy 1963)

    Born in Rome in 1897, where he graduated from the Royal College of Fine Arts in 1916.

    In 1919, he undertook an important trip to Venice and Florence to delve deeper into his studies of the great Masters of the fifteenth and sixteenth centuries.

    He began to exhibit his first paintings in 1923 at the Roman Biennale and, only a year later, he held his first solo exhibition. He reached the pinnacle of success with a solo exhibition in New York in 1927, during which he managed to sell numerous artworks.

    He joined the circle of artists formed around “Plastic Values”, the magazine directed by Mario Broglio, which affirmed the importance of detachment from the avant-garde.

    The 1930s was a period of intense work and further achievements; his artworks are purchased by important museums and galleries: the Palazzo Pitti Museum of Modern Art, the Civic Museums of Turin and Genoa, the Ca’ Pesaro Museum and the National Gallery of Modern Art in Rome.

    In the same decade, he also obtained teaching positions including, in 1939, at the Central Institute of Restoration in Rome.

    After the war, Donghi mainly dedicated himself to the production of small landscapes, which he painted live during his stays in northern Lazio, Umbria and Tuscany. The artworks from this period are precise and detailed.

    Subsequently, at the beginning of the 1950s, while continuing to exhibit in solo exhibitions at the Quadrennials of 1952, 1955 and 1959, Donghi began a period of withdrawal and isolation.

    He died in Rome in 1963.


    Copyright the artist. Photo UniCredit Group (Sebastiano Pellion di Persano)

  • Works
    • Pencil drawing on paper of a Donkey and a study for the painting Asinello (studio per "Gita in carrozzino"). Artwork details: Artist: Antonio Donghi. Artwork title: Asinello (studio per "Gita in carrozzino"). Artwork date: c.1955. Artwork medium: Pencil on paper. Artwork dimensions: 14 x 20 cm.
      Asinello (Studio per "Gita in Carrozzina"), c.1955
    • Watercolour pastel on paper of a house among trees. The work on paper is a study for the painting 'Villa al Faito'.
      Casa Tra Gli Alberi (Studio per 'Villa al Faito'), c.1955
    • Pencil on paper study for the painting "The Visit". The work depicts two people at a gate.
      Studio per “La visita", c.1954
    • A pencil drawing on paper of a dog. The work on paper is a study for the painting "Ritorno dal lavoro".
      Cagnolino (Studio per 'Ritorno dal lavoro'), c.1950-60
    • Watercolour pastel on paper of an Italian landscape with buildings amongst green trees.
      Paesaggio con Tetti, c.1950
    • An oil painting of the Basilica of Maxentius. Artwork details: Artist: Antonio Donghi. Artwork title: Basilica di Massenzio. Artwork date: c.1920. Artwork medium: Oil on canvas. Artwork dimensions: 61 x 40 cm.
      Basilica di Massenzio, c.1920
    • An oil painting of someone returning from work in the countryside on a donkey alongside a dog. The landscape shows rolling hills. The rider has red hair, an orange jacket, a white shirt and blue jeans. Around their body is a shotgun. The horse is black, and the dog is white and brown.
      Ritorno dal lavoro (ritorno dalla campagna), 1962
    • Oil painting of a road cutting through a natural landscape. In the centre are three green leafy trees and rolling mountains in the distance. Artwork details: Artist: Antonio Donghi. Artwork title: Autostrada del Sole. Artwork year: 1960. Artwork medium: Oil on canvas. Artwork dimensions: 70 x 70 cm.
      Autostrada del Sole, 1960
    • An oil painting of Montecarlo of Lucca showing the castle walls, buildings and trees.
      Paesaggio (Montecarlo di Lucca), 1953
    • An oil painting of a woman smoking. Dressed in a black jacket and red bottoms, sat against a pink wall.
      Donna Che Fuma, 1950
    • An oil painting of a Villa outside the city, surrounded by green leafy trees and a brick wall.
      Villa fuori le mura, 1947
    • An oil painting of Castello Massimo in Arsoli.
      Castello (Arsoli), 1946
    • An oil painting of a dog trainer in a purple dress and two dogs. Surrounded by a circus-like scene with green curtains, ladder, hoop, ball and red platform with gold tassels.
      L'ammaestratrice di cani, 1946
    • An oil painting of Città di Castello.
      Paesaggio (Veduta di Città di Castello), 1946
    • An oil painting of a portrait of a woman sitting on a wooden chair and wearing a green top and black hat. Alongside her is a table covered with a red cloth and a purple flower.
      Ritratto di donna, 1944
    • An oil painting of an older and young man, Lark hunting. In a hyper-realistic style, the man is dressed in a brown hat, jacket and boots, armed with a shotgun. The boy has a green blazer and cream trousers, holding a large stick with a bird on top. The landscape behind them is an expansive view of nature with mountains in the distance. Artwork details: Artist: Antonio Donghi. Artwork title: Caccia alle allodole. Artwork date: 1942. Artwork medium: Oil on canvas. Artwork dimensions: 107.5 x 79.5 cm.
      Caccia Alle Allodole, 1942
    • A pencil drawing on paper of a young man pulling rope.
      Ragazzo, 1942
    • An oil painting of a portrait of a mother and daughter. In a hyper-realistic style, a mother dressed in light blue sits on a green cushioned stool alongside their daughter in pink against a beige background and green floral carpet.
      Ritratto di Madre e Figlia (Lucia Praz), 1942
    • An oil painting of Valle violata, littered with green leafy trees and a pale blue sky.
      Valle violata, 1942
    • An oil painting of an Italian landscape.
      Paesaggio, 1940
    • An oil painting of a Juggler balancing his hat. The figure stands in a blue room alongside a table and a vase of flowers.
      Il Giocoliere, 1936
    • An oil painting of bright pink and orange flowers in a blue vase sat on a blue table with a pink background.
      Fiori, 1935
    • An oil painting still life of a fruit bowl on a table.
      Fruttiera su un tavolo, 1935
    • An oil painting of a view of Rome (Church of S. Anastasia al Palatino).
      Veduta di Roma, Chiesa di S. Anastasia al Palatino, 1925
    • An oil painting of the fountain, La Fontana dei Cavalli marini, at the Villa Borghese in Rome. The fountain is made up of horses protruding from the water.
      La Fontana dei Cavalli Marini, 1923
    • An oil painting portrait of a Miner. The Miner stands topless with arms folded against a dark background.
      Il Minatore, 1922
    • An oil painting of a Roman landscape (a corner of Palatine Hill). Trees line a path with a building in the distance.
      Paesaggio romano (un angolo del Palatino)
    • An oil painting of a portrait of a girl. A simplified flat image of a girl in green and white on a blue background with a green headscarf.
      Ritratto di ragazza
    • An oil painting of the view of Rome (Convent of S. Bonaventura al Palatino).
      Veduta di Roma (convento di S. Bonaventura al Palatino)