François Boucher (1703, Paris, France – 1770, Paris, France)  

With his distinctive style, Boucher shaped the visual culture of the 18th century like few others. His works embody a spirit of grace, lightness, and sensual delight – hallmarks of the Rococo. Whether mythological scenes, idealized landscapes or intimate portraits, Boucher masterfully created a world of beauty and imagination that continues to captivate audiences today. 

Boucher began his artistic career as an engraver before being awarded the prestigious Prix de Rome in 1723. The accompanying four-year stay in Italy allowed him to study classical antiquity and Italian Baroque painting in depth. Upon returning to Paris, he was admitted to the Royal Academy as a history painter in 1734. His rise was swift: in 1737 he became a professor, in 1765 director of the Academy, and in the same year was appointed First Painter to King Louis XV. 

A versatile artist, Boucher not only painted but also created designs for tapestries, porcelain, and stage sets. His mythological depictions – featuring figures such as Venus, Diana, and Cupid – are marked by an erotic aesthetic that reflects the playful nature of Rococo art. Also his pastoral scenes do not portray realistic rural life but rather an idealized world full of charm and harmony. 

A central figure in Boucher’s career was the Marquise de Pompadour, a powerful patron and close confidante who played a decisive role in advancing his artistic path. She commissioned numerous works for her private premises and royal residences and had herself portrayed by him several times. Through this connection, Boucher became the favored artist of the courtly elite.