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Biography
Antonio Carneo (Concordia Sagittaria, Italy 1637 - Portogruaro, Italy 1692)
Born in Concordia Sagittaria in the province of Venice in 1637, Carneo spent his early years in Portogruaro, before moving to Cordovado, where his presence is documented between 1658 and 1667.
There is little information on his life and work, including his artistic training, which probably took place with select key figures in Venetian painting, such as Palma il Giovane and Padovanino, Tintoretto and Jacopo da Ponte, known as Bassano.
In 1667, he moved to Udine to a house owned by Count Leonardo Caiselli, who provided him with protection, room and board in exchange for his paintings.
Now a mature painter with a refined pictorial language, his work was dominated by chiaroscuro and a fascination for the marked faces of simple people, the general population, whose expressions were captured and emphasised with great skill, in the style of Caravaggio.
An established painter, Carneo attracted many private, public and ecclesiastical commissions, which allowed him to explore a broad variety of evolving references, pushing the boundaries of experimentation, making him one of the most prominent figures of the Venetian Baroque.
He spent the last years of his life in Portogruaro, where he died in 1692.
Photo UniCredit Group (Sebastiano Pellion di Persano)
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WorksOpen a larger version of the following image in a popup:
An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. The older woman holds a stick with a bunch of wool or flax from which thread is spun, called a distaff, engaging in conversation with a young woman with golden ears of corn in her hair.
Open a larger version of the following image in a popup:An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. The detail shows the older woman's face.
Open a larger version of the following image in a popup:An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. The detail shows the younger woman's face.
Antonio Carneo Italian, 1637-1692
Vecchia con conocchia e giovane con spighe, 1660Oil on canvas / Olio su tela / Öl auf Leinwand35 3/8 x 31 7/8 in
90 x 81 cmUniCredit S.p.A.Photo: UniCredit Group (Sebastiano Pellion di Persano)Further images
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