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Antonio Carneo: Italian, 1637-1692

An important Italian painter from the Friulian and Venetian area during the second half of the seventeenth century; he painted allegorical, mythological and religious subjects in the style of Caravaggio.

Antonio Carneo Italian, 1637-1692

  • Biography
  • Works
  • Biography
    View works. Antonio Carneo, Cristo e l’adultera, c.1650-1700
    Cristo e l’adultera, c.1650-1700
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    Antonio Carneo (Concordia Sagittaria, Italy 1637 - Portogruaro, Italy 1692)

    Born in Concordia Sagittaria in the province of Venice in 1637, Carneo spent his early years in Portogruaro, before moving to Cordovado, where his presence is documented between 1658 and 1667. 

     

    There is little information on his life and work, including his artistic training, which probably took place with select key figures in Venetian painting, such as Palma il Giovane and Padovanino, Tintoretto and Jacopo da Ponte, known as Bassano.  

     

    In 1667, he moved to Udine to a house owned by Count Leonardo Caiselli, who provided him with protection, room and board in exchange for his paintings.  

     

    Now a mature painter with a refined pictorial language, his work was dominated by chiaroscuro and a fascination for the marked faces of simple people, the general population, whose expressions were captured and emphasised with great skill, in the style of Caravaggio. 

     

    An established painter, Carneo attracted many private, public and ecclesiastical commissions, which allowed him to explore a broad variety of evolving references, pushing the boundaries of experimentation, making him one of the most prominent figures of the Venetian Baroque. 

     

    He spent the last years of his life in Portogruaro, where he died in 1692.


    Photo UniCredit Group (Sebastiano Pellion di Persano)

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  • Works
    Open a larger version of the following image in a popup: An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting.
    Open a larger version of the following image in a popup: Detail of an oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. This detail shows the hands of the two characters.
    Open a larger version of the following image in a popup: Detail of an oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. This detail shows the faces of the two characters.

    Antonio Carneo Italian, 1637-1692

    La buona ventura (La seduzione), 1660
    Oil on canvas / Olio su tela / Öl auf Leinwand
    35 3/8 x 31 7/8 in
    90 x 81 cm
    UniCredit S.p.A.
    Photo: UniCredit Group (Sebastiano Pellion di Persano)
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EAntonio%20Carneo%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELa%20buona%20ventura%20%28La%20seduzione%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1660%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%20/%20Olio%20su%20tela%20/%20%C3%96l%20auf%20Leinwand%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E35%203/8%20x%2031%207/8%20in%3Cbr/%3E%0A90%20x%2081%20cm%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) An oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting.
    • (View a larger image of thumbnail 2 ) Detail of an oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. This detail shows the hands of the two characters.
    • (View a larger image of thumbnail 3 ) Detail of an oil painting shows an older and younger woman in conversation. The image illustrates an old fable using summer as a metaphor for beauty. Summer draws closer to its end, and beauty, along with life, is fleeting. This detail shows the faces of the two characters.
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  • Related artists

    • Detail of an oil painting of the rich man and Lazarus parable found in the gospel of Luke 16: 19–31. The painting depicts a rich man with empty plates, surrounded by servants after finishing his meal, while in the foreground is the beggar Lazarus.

      Luca Giordano

      Read more
    • Detail of an oil painting of a portrait of a young woman.

      Luca Giordano (attributed)

      Read more
    • Detail of an oil painting of the assumption of the Madonna.

      Paolo Caliari, known as Veronese (manner of)

      Read more

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